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Delicate remains featherlike, while Lisa Hannigan’s star turn on the tremulous I Remember still exhilarates.Ĥ4. Adrian Crowley - Long Distance Swimmer (2007) Nonetheless, time has been kind to Rice’s debut, which has managed to retain a sense of intimacy despite its ubiquity. It was arguably the most overplayed Irish album of the early noughties Cannonball even became an X Factor winner’s song almost a decade later. But at a time when so many Irish bands seemed to have been created in a vat to appeal to the Today FM drive-time playlist, Fontaines DC’s tumbling wordplay and yes, their pretentiousness, felt daring and revitalising. It wasn’t the perfect record it was received as on its release and it was frustrating to see the group celebrated in the international press as the guitar-toting reincarnation of WB Yeats. Photograph: Roberto Panucci/Corbis/ Getty
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SOAK - Before We Forgot How to Dream (2015)?īridie Monds-Watson took the singer-plus-lifetime-of-heartache formula and spun it into songs as intimate as a whispered conversation, as breathtaking as a sky full of stars.
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From the impertinent wallop of Lend Me Your Face to the doleful lament of Tie Me Up with Jackets, it was an irresistible slice of synth-addled pop-punk.Ĥ7. Fight Like Apes - Fight Like Apes and the Mystery of the Golden Medallion (2008)įight Like Apes might never have quite recaptured the boorish, compelling, in-your-face energy of their debut - but still, what a debut. Two MCs and a DJ/producer originally hailing from Zimbabwe, Togo and Ennis, all stretching their fingertips to poke at the possibilities of what Irish hip-hop was capable of: Rusangano Family’s debut explored themes of identity and belonging, with some killer beats, captivating lyrics and a healthy helping of charisma.Ĥ8. Rusangano Family - Let the Dead Bury the Dead (2016) Essentially a greatest hits setlist, you don’t need visuals to recognise Phil Lynott’s magnetic stage presence or the band’s superb dynamism.Ĥ9. You could argue that Jailbreak is a better album, but there’s no denying the firepower behind Thin Lizzy’s live show - captured here at the height of their power in 1976/77. The same could be said for every other entry: why Enya and not Horslips? Well, why not? There are no tokenistic inclusions here: everything was selected on merit alone.Īnd by the way, you’ll find Astral Weeks at number 11. Nevertheless, there is nothing to say that it less worthy of the title than any other. Our choice for number one may come as a surprise, particularly given that it hasn’t even been 12 months since its release. Limiting each act to a maximum of two entries, we then argued our cases for the albums that we felt should make the cut, and tinkered with the placement of those that deserved a more superior ranking. In fact, when our separate lists were combined, there were ninety albums in total. Needless to say, it was a daunting task to narrow down the list to 50 albums.
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In other words, we’re not quite slaughtering any sacred cows think of it more as leading them into the shed for a bit of a rest. When The Ticket’s editor Hugh Linehan tasked us with drawing up a list of the 50 Best Irish Albums, however, we were in agreement on one thing: this list must reflect contemporary Irish music as much as it pays its respects to the past. It’s true that Van Morrison’s masterwork has a habit of dominating lists like this one. BUT WE know what you’re thinking: ‘Where the hell is Astral Weeks? There are no tokenistic inclusions here: everything was selected on merit alone. The final list reflects contemporary Irish music as much as it pays its respects to the past.